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Showing posts with label Pagoda. Show all posts
Showing posts with label Pagoda. Show all posts

Tuesday, August 13, 2013

Dharma bum: a year in a pagoda

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Phnom Penh, Cambodia -- When I was asked to give a gift to the head of the Buddhist temple where I would spend the next year, I expected to hand over symbolic lotus flowers or pricey Western goods. Sarong, my host, pointed to two dusty cases of Red Bull. “That’s what the monks like”, she said.

<< Photograph: Scott Howes/Phnom Penh Post
When Nathan A Thompson swapped his stress-packed life in the UK to live for a year with monks in Takeo province, he expected to immerse himself in a stark way of life. The reality was rather different. Here, he reveals what it’s like to forsake everything you know to live in a temple.

My new housemate, Sareun, sat cross-legged, his face hard-set. He was swathed in orange robes and had a scar that bloomed from voice box to shoulder. I sat on the floor with my legs swept to one side and bowed three times. I raised my gift in his direction, and he took it without comment. In the renunciate life of a monk, the odd can of Red Bull can provide quite a kick.

Three weeks previously, I had been trapped in the longest, darkest winter the UK had seen for years. I worked in overdrive to gather enough money to fund the first few months of a new life I had planned, thousands of miles away.

A freelance writer, I took every job I could get; I churned out content on everything from hotels to sofas. Two days out of every fourteen were spent in bed, glassy-eyed with exhaustion. As soon as I felt better, I hunched back over my laptop in the winter twilight, tapping away, pulled by thoughts of Cambodia.

I planned to live in a rural village and volunteer for a new NGO. For months at a time, I would be the only foreigner there. Like many over-stimulated Westerners, I had romantic notions about Eastern spirituality. I started my days with some meditation and yoga postures. When Sarong’s email told me that I would be living with monks, I was thrilled.

I arrived in a tuk-tuk packed with bags, boxes of books and my bicycle. We rattled through the temple entrance guarded by two Angkor warriors in peeling paint. We passed the small reservoir and the assembly hall. The hall is two storeys high and is large enough to accommodate all 200 families in the village on a celebration day like Khmer New Year. The courtyard beyond the hall was surrounded by houses painted blue, white and yellow.

Centre stage was Sareun’s mansion, which loomed yellow and gold in the sunlight, two giant storeys with huge pillars that supported the balcony.

I stumbled out of the tuk-tuk wanting to get into my room as quickly as possible. Then I met Sareun for the first time, cigarette dangling from his lips.

My first surprise. “The Buddha never said we couldn’t smoke,” he told me, speaking through a translator, on my second day at the temple.

Sareun’s headshot is framed along with other unsmiling heads of his order in my room. Every day he is surrounded by friends – men who are now grandfathers. They sit outside his grand stone house on the slatted wooden platform talking and joking. The young monks scurry past his gaze clutching Dharma books, their eyes downcast.

When he was ordained as a monk in 1979, after the colossal destruction of the Pol Pot regime, there was, he says, “no other kind of education available”. He learned the Dharma – the teachings of the Buddha – from a man named Hing Ngat, who escaped the regime.

Sareun’s decision to become a monk was prompted by contracting tuberculosis and cancer following the Khmer Rouge years. The diseases left him a curious legacy. “If I have sex I will die – the doctor told me. So I decided not to get married and focus on learning the Dharma. I want to follow the Buddha’s teachings and be a saintly person.”

At first, he lived in a palm leaf cottage on the site of Wat Baray, which was then a brick-strewn crater. One building remained, and he began to use it to teach Dharma. After Hing Ngat died in 1988, Sareun succeeded him as head of the temple. It has taken 30 years for him to rebuild the fishscale roofs and pink and yellow buildings – most of the work funded by donations from the local people. The monks who live there now are mostly teenagers who come because Wat Baray has a good reputation as a place to learn both Buddhist scriptures and English.

I was given a room at Wat Baray in Sareun’s stone house with cool tiled flooring. It’s unusual for a Westerner to live in a temple. The few NGOs that work with temples have separate accommodation for staff. The NGO I work for is founded by a woman whose family is from the village, so it was no problem for her to get the monks behind her project. Buddhist temples exist for the benefit of the community and often have people staying there. Anyone in need is welcome: orphans, people with disabilities, friends and family – they must, however, be male because monks are celibate. I make a monthly donation to cover my costs.

My first few days were fraught. I had to learn to eat egg fetuses, sleep on a straw mat and wash in a giant bucket next to a hole. Not everyone was immediately welcoming. On my third day at the Wat, I needed a knife to peel a mango. I approached the kitchen, where the 70-year-old Yay Nath, a shaven-headed nun, sat among stained cauldrons and pots. She sounded like an army major shouting at a group of sloppy recruits. “Knife – what is?” I mumbled pathetically, trying to sound amicable. She unleashed a battery of angry-sounding syllables. I didn’t return for two weeks.

When I did, she fed me roasted banana and told me her story. She’s been a nun for 24 years. “After my husband died, Sareun asked me to come and cook for the monks, and I was happy to volunteer while my son supports me financially.”

She hopes that through service she will be reborn into a good life. “I don’t want to reborn underground or as a ghost. If I cultivate good virtue in this life by serving the monks, then I will be reborn as a human or a heavenly being.”

Buddhists believe that the type of mind we posses when we die determines our reincarnation. If the mind is pure, the positive vibrations lead to rebirth in a human or heavenly body. Bad vibes lead to hell. 
It’s not easy keeping the mind pure.

“I wish the Buddha would have allowed us to eat dinner in the evenings,” teenage novice Nam Soukhaine told me on an empty stomach one evening. Buddhist scriptures stipulate that monks should not eat after noon. At the temple, they have breakfast at 7am and lunch at 11am.

At 16, Soukhaine is only required to learn Dharma for three hours a day, as opposed to the seven hours put in by his older peers. He hopes to leave the monkhood when he turns 20.

“For my parent’s generation, you had to be a monk before you could get a good job like doctor or policeman. They wanted me to be a monk because monks have fine accents and virtuous characters.”

Some monks exemplify the virtuous ideal more than others. Every so often, a report pops up about wayward behaviour: recent months have seen pagoda chiefs defrocked over singing, drinking and cavorting with women at karaoke clubs. In recent years, there have even been reports of sexual assaults carried out by monks.

“These bad monks join the monkhood for their own gain,” said Sambo, the ex-monk who teaches Pali, the ancient language of the Buddhist scriptures.

“They create fake building projects and ask for donations; sometimes they buy a gun illegally and use it to rob rich people. It is mostly a problem in the city; because there are so many monks there, it is difficult to control them.”

“But the monks at Wat Baray have an excellent reputation,” he added, laughing.

In the evenings, the television casts a glow on the white-tiled walls. Sareun watches Chinese and Korean kung fu films, sitting with one leg thrown over the arm of his mahogany recliner. The young monks guiltily abandon their studies to watch.

There is a debate within the Buddhist community over how much television and internet should be allowed in a temple. So far, no dictum has been reached. Keo Vichith from the Khmer-Buddhist Educational Assistance Project, who was a monk for 10 years, favours the middle path.

“It depends how the monks use it; if they are watching TV or using their iPhones for educational purposes, that is OK because monks should not be isolated from the issues that are important to people,” he told me.

At Wat Baray, Sareun does not allow the young monks to have iPhones for fear that they will waste too much time.

As time wore on, I began to let go of my expectations of temple life. The strict regime of work, exercise and meditation that had led to burnout in the UK was no longer needed because, for the first time in my life, I had enough money. I bought a moto. I swam in the reservoir with the children, their dolphin-like movements interrupted by the “Pwchaar” noises of a mimed gun battle.

I have also witnessed incredible compassion. One day, we felled a small tree for firewood and came under attack from a colony of ants. While I slapped and cursed, the monks were calmly picking each ant from their skin and placing them back on the tree scrupulously, following the Buddhist precept to “harm no living being”.

Another day, the monks dragged me to the reservoir in the Wat - a lush patch of water with an island in the middle – with the words, “Come quick. You must see, you must see.” A huddle of children were watching something in the water. It had the head of a dog with the skin of a frog. Two yellow reptile eyes. Everyone was still.

As it moved towards the stone steps that lead into the water, the outline of a shell and two flippers became visible: it was a narrow-headed soft-shelled turtle, one of the most endangered species in the world. Sareun adopted two from the 100 Pillar Pagoda in Kratie province, home to the Mekong Turtle Conservation Centre. The kids threw rice in the water and prehistoric jaws opened and slammed shut. The two turtles are just some of the menagerie of animals that bark and scratch around the pagoda. “I hope these turtles will survive with Buddha’s blessings,” Sareun said.

Not all the monks will stay for long.

One young man who recently left the monkhood lives in a nearby village. Now that his arranged marriage to a Cambodian-American woman is secure, his parents are barely letting him leave the house. He is their ticket out of poverty. (He did not want to be named in case it affected his application for an international marriage licence.)

“I want to be a monk forever because everything the Buddha said was right,” he told me, as generations of cats, chickens and dogs flowed in the dust around our ankles.

As we talked, his teenage sister rode in with a smile; you’d never guess she’d cycled and sweated 16 kilometres to attend school. “It’s a shame I have to get married,” he said wistfully. “But I can’t go against my parents wishes.”

He is 20, athletic and handsome. “The body is a very ugly thing. It is full of sweat and waste. Only crazy people like their bodies; the Buddha teaches us to not care about the body or property.” Reluctantly de-robed and dressed in jeans and a grey zip-up hoody, he sat in a hammock strung between two concrete pillars that support the wooden room he shares with his parents and sister.

“I miss living in the pagoda because all my friends are there.” He gave a pained smile. “We would talk about the Dharma, and I would learn so much.” In order to cheer him up, I Googled pictures of his new home: Atlanta, Georgia. He looked at the twinkling skyscrapers. “Wow.”  

On my way out, I thought about what awaits him in the US and if his earnest Buddhism will survive an encounter with hyper-consumer culture. In my room at the temple now, the only thing that remains from my old life among the skyscrapers is my to-do list – meetings, work, gym sessions. Underneath are many sheets of blank paper.


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Thursday, July 25, 2013

Global Vipassana Pagoda opens in Mumbai

Home Asia Pacific South Asia India

96.12 metre pagoda is dubbed as "Wonder of the new millennium"

Mumbai, India -- Asia’s tallest stone structure rises majestically in the sky against the blue background of the Arabian Sea. Located in the southwest of Mumbai on the Essel Plateau near Gorai and covering an area of about 15.5 acres, the Global Vipassana Pagoda is a 21st century architectural wonder.

Surrounded by important ancient Buddhist heritage sites like Kanheri, Mahakali and others, it stands close to Sopara, the ancient harbour city of Shurparak or Supparaka blessed by the holy footprints of  Buddha’s disciples, reminding us of the rich heritage of Buddhism in Mumbai.

Inspired by the great Vipassana meditation master Acharya S N Goenka, this glorious monument symbolizes humanity’s deep reverence to Gautama Buddha, his teaching (the Dhamma) and his followers (the Sangha). It also stands there as an expression of India’s heartfelt gratitude towards Emperor Ashoka and the chain of Buddhist masters starting from his teacher Moggaliputta Tissa up to the present day’s Burmese Vipassana masters like Ledi Sayadaw, Saya Thetgyi and Sayagi U Ba Khin for protecting, preserving and spreading the Buddha’s teachings in India and abroad.

In order to appreciate Burma’s contribution in preserving the technique of Vipassana meditation in its pristine purity, the Global Vipassana Pagoda is built on the lines of the famous Shwedegon Pagoda of Yangon, where the hair relic of the Buddha is enshrined.

The word ‘Pagoda’ - meaning a Buddhist shrine - is a Portuguese mispronunciation of the word ‘Dagoba’. The Sinhalese word  ‘Dagoba’ is a rendering of the Pali word ‘Dhatugabbha’ meaning a cell housing the relic of the Buddha. The Global Vipassana Pagoda houses genuine bone relics of Buddha.

Some of these relics were found by the archaeology department of the imperial British government in the ruins of a ‘stupa’ in Bhattiprolu in southern India before the Second World War. They were then kept in the Museum of London and were returned to the Mahabodhi Society of India after the war.

The Society presented them to Acharya Goenka to place in the Global Vipassana Pagoda for the benefit of the countless faithful who come here to meditate. Another portion of the relics enshrined in the Pagoda was received from the prime minister of Sri Lanka.

The main dome of the Global Vipassana Pagoda was inaugurated on October 29, 2006. On the same day, the sacred bone relics of the Buddha were enshrined in the Pagoda on top of the first dome above the Dhamma Wheel.

The final construction of the Global Vipassana Pagoda was completed in November 2008. The formal inauguration ceremony of the Pagoda took place on February 8, 2009 in the presence of the then President of India, dignitaries, guests, monks and thousands of
Buddha’s followers.

It has taken almost 11 years and 3.87 million man days to complete this colossal monument, which was started in October 1997 with the laying down of the foundation stone. Its construction has been made possible by the generous donations received from various quarters in terms of land for the Pagoda, money and material.

The Structure

The Global Vipassana Pagoda is a three-storied huge hollow stone structure painted in a shining Thai golden paint. It is the world’s largest pillar-less dome especially designed for meditation. For this very reason, it is called the Vipassana Pagoda. Keeping in view
the convenience of those who wish to meditate, the relics are enshrined in the centre of the middle dome and a revolving stage is created in the centre of the main dome at the ground level so that meditation can be done around it while listening to the sermons.

It has the capacity of accommodating over 8,000 meditating people at a time. Meanwhile, efforts are on to improve the acoustic design of the Pagoda in such a way that the echo disturbance can be kept at its minimum.

The Pagoda exhibits the excellence of ancient Indian architecture combined with modern construction technology. Many research organisations, including IIT Mumbai, were consulted for this purpose. It is a 325 foot i.e. 96.12 metre tall monument with an octagonal base. Externally it has a circular bell shape rising towards a pointed pinnacle adorned with a crystal that is covered by a steel umbrella and a Dhammadhvaja (flag of Dhamma) on the top. The interior of the Pagoda has three domes located over one another. The first
dome at the ground level has an inner height of 86.29 feet i.e. 26.3 metres and 280 feet i.e. 85.15 metres in diameter with a total carpet area of 65,000 square feet.

<< Inner view of the main dome

The second dome housing the relics is 105.25 feet i.e. 32.081 metres in height and 105 feet i.e. 32 metres in diameter. The third, which is the topmost dome, has a height of 73 feet i.e. 22.19 metres and is 26.6 feet i.e. 8.13 metres in diameter. It is twice the size of the previously largest masonry structure, the Gol Gumbaz (130 feet in diameter i.e. 39.64 metres) in Bijapur in the southern Indian state of Karnataka.

The circumambulatory path is 70 feet wide. About eight to ten thousand people can walk over it at any given time.

The foundation and the Pagoda up to the base level are built with black basalt stones. The average depth of the foundation is 30 feet with about 20 feet width. The construction of the inner dome and the outside serrations of the Pagoda are made up of the famous Jodhpur stone, weighing 2.5 million tonnes and brought from Rajasthan at a distance of around 1,200 kms. The stones are skillfully cut and manually fixed into the grooves using an interlocking system and cemented with lime mortar.

The initial plan was to build the Pagoda in RCC and mild steel. But since the aim of the construction was to build a structure that could last for a thousand years or more, it was decided to use the basic stone interlocking system and lime mortar to ensure strength
and longevity of the structure.

The architect and temple consultant (late) Mr Chandubhai Sompura suggested and demonstrated this technique with the help of a model made of soap bars. Stones here are cut in such a way that each stone has grooves cut both in horizontal and vertical direction so that it holds and grips other stones in both directions.

This unique interlocking system is so amazing that it can hold massive stones without any support.

The top key stone depicting the Dhamma Wheel suspended over our head at a height of 90 feet weighs almost 4 tonnes. Besides the main Pagoda there are two smaller Pagodas that are 60 feet high built on both sides in the north and south.

The northern Pagoda has a meditation hall used for teaching Anapana meditation to the general public whereas the southern Pagoda contains 108 meditation cells. A grand Ashoka pillar with the Dhamma Wheel similar in shape and size to the original pillar in Sarnath has been constructed to the east of the Global Vipassana Pagoda.

The entrance to the west of the Pagoda is a replica of the Burma Gate at Dhammagiri Vipassana Centre at Igatpuri with two lion images on both its sides. An information centre and a bookstore are being constructed near this gate. The stairway at this side of the
Pagoda rises straight up to the circumambulatory path above the basement. Climbing up the staircase one can see two pedestals on its each side with a huge bell from Burma weighing 11 tonnes installed on the left hand side and a gong set up on the right.

The Facilities

The Pagoda complex also houses a Vipassana centre called ‘Dhammapattana’ to the southwest of the main Pagoda at the basement level where 10 day long courses have been conducted regularly since October 2007. The centre is well-equipped with 100 air-conditioned rooms and a meditation hall. Recently a research centre devoted to the study of Pali language and Buddha’s teachings has been established near it. A 60-tonne Buddha statue in white marble located near the research centre provides a fitting ambience to this entire area.

From the north to the south and through the west there is a two-storied C-shaped basement area housing service facilities. On the first floor of the basement one can discover many facts about Vipassana and the inspiring life and teachings of Buddha in a wonderful exhibition gallery displaying 123 paintings.

There is also an audio-visual centre and a gallery of wall mounts and photographs adjacent to a book and souvenir shop. Besides these, there is a library and two auditoriums under construction. Service facilities such as rest-rooms, offices, quarters and a food court are located on the ground floor of the basement area. A three-storied guesthouse is being built outside the Pagoda premises in the northwest direction.

Getting there

From the Western Express Highway, head north towards Dahisar/Borivali/Ahmedabad.Cross the Dahisar toll booth and keep going straight.When you reach the Mira-Bhayandar crossing, turn left towards Mira-Bhayandar. The crossing has a statue of Shivaji Maharaj positioned at the centre.Keep going straight till you reach the Golden Nest Circle. Take a left turn and stay on the main road.Keep going straight till you take a hard right turn at the end of the road. This point will come after Maxus Mall, which comes on your right. After this take a left at the T-point junction.Keep following directions to Essel World or the Global Vipassana Pagoda from this point forward.When you reach the Essel World parking lot, go ahead a few metres and take a right turn towards Essel World. Tell the guard at the security post that you want to go to the Pagoda.Keep going straight till you reach the helipad. At the Helipad, take a right turn to the Global Pagoda road through the Sanchi Arch.The Pagoda is about 42 kms from the domestic airport terminal in Mumbai.

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Wednesday, December 12, 2012

Seokgatap pagoda, symbol of Sakyamuni Buddha

Home Asia Pacific North Asia S/N Korea History & Archaeology

Seoul, South Korea -- Bulguksa temple in Kyeongju, Korea is a UNESCO World Heritage site and literally means the “The Temple of Buddha’s Country.” Here in the center courtyard, two pagodas, known as the Dabotap and Seokgatop stand in grandeur. The two pagodas symbolize the incarnations of Buddha.

Seokgatap, or the Buddha Pagoda, symbolizes Sakyamuni Buddha, and Dabotap is the incarnation of Buddha's previous existence. It is said that the Buddha's former life sprouted out of the earth in the shape of a pagoda to prove the truth of Buddha's sermon.
The Seokatap is very simple and has a basic design with three stores and gives off a sense of balance and symmetry. This pagoda is over 1,000 years and said to be build in the Baekje dynasty.
On September 27th, 2012 the Bulguksa temple began the major restoration project of the Shakyamuni pagoda (Seokatap in Korean). During its restoration project, the team found various Buddhist treasures and artifacts buried under the base of the pagoda.
In 1966, the Mugujeonggwang Great Dharani Sutra was found within the pagoda and enlisted as the National Treasure No. 126. This Dharani Sutra is the oldest woodblock print material in existant of the world. Also found was a sarira box with other various Buddhist treasures such as a bronze Buddha, and mirrors.
Venerable Sungta, the abbot of Bulguksa monastery states that the total restoration of the Seokatap is the only way to preserve the Seokatap’s original beauty and for the future generations to enjoy and appreciate this pagoda.
During this restoration, the Seokatap will be completely dismantled and put together for complete restoration and is estimated to cost about USD 3million.
Various housing was placed around the Seokatap so tourists and pilgrims can still visit the Seokatap during its restoration.
It has been stated that the base of the pagoda is unstablee and the resotration team plans to rebuild and restore the base for the balance and stability of the Seokatap.
The Seokatap is over 1,300 years old and the restoration is a three year project and the perfectly restored Seokatap will reveal it’s original beauty once again in 2015.

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Saturday, December 1, 2012

Keo Pagoda designated special national relic

Home Asia Pacific South East Asia Vietnam

Thai Binh, Vietnam -- The Keo Pagoda in Duy Nhat Commune, Vu Thu District, in northern Thai Binh Province, has been recognised as a special national relic for its unique historical, cultural, architectural and artistic values.

<< The Keo Pagoda in Thai Binh Province

The province held a ceremony on October 24 to receive the title and officially open the 2012 Keo Pagoda Autumn Festival.

After the first ceremonies, the delegates, along with many Buddhist monks, nuns, followers and tourists, offered incense in commemoration of Buddhist monk Duong Khong Lo and those who took part in the pagoda construction, from the 17th century.

Just over 130 km away from the capital Hanoi, Keo Pagoda, which was built in 1632, is an ancient building but has 102 rooms, more than any other pagoda in Vietnam.

There are two passages, which separate the pagoda from the temple. They are designed with curved roofs that join together at the 11.5m-high iron and wood bell tower.

The tower has three storeys, each of which possesses its own tiled roof and bronze bell.

The 108,000m2 pagoda is home to a wealth of ancient artefacts, which range from intricately engraved wooden dragons to a collection of over 100 statues.

It has also preserved many valuable antiques, such as a pair of candlesticks from the Mac Dynasty, pottery and altars from the Le Dynasty and several imperial boats.

The Keo Pagoda Autumn Festival is held annually from the 13th to 15th of the ninth lunar month, in honour of monk Duong Khong Lo, who is said to have cured King Le Thanh Tong from illness.

In addition to the traditional religious rituals that commemorate the Buddhist monk, the festival also hosts a variety of cultural activities that reflect the lifestyle of the Red River Delta’s agricultural communities.


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Thursday, August 30, 2012

Bo Da Pagoda preserves sacred Buddhist treasures

<< Like a prayer: The entrance to Bo Da Pagoda.

The pagoda, also known as Quan Am (Goddess of Mercy) or Bo Pagoda for short, lies at the foot of a pine-covered hill, surrounded by earthen walls with mountains and rivers in the distance.

Legend has it that the Goddess of Mercy helped a poor childless couple there. One day, the husband was cutting pine trees at the top of the mountain when 32 gold coins suddenly burst from a tree. An enlightened monk told him that it was a miraculous appearance of the Goddess. The woodcutter entreated the goddess to give him a son, saying that if she did so he would build a pagoda to worship her. The woodcutter's wish was fulfilled, and he built a pagoda just as he had promised. Many other people have also gotten their wishes fulfilled by praying to the Goddess in this pagoda, so it is named Quan Am Pagoda.

The pagoda was built in the 11th century under the Ly dynasty, the golden age of Buddhism in Viet Nam, but was badly damaged during wars in subsequent centuries. It was not until the revival of the Le dynasty under King Le Du Tong (1705-28) that the pagoda was reconstructed and more or less retains the shape it has today.

Bo Da is a centre of Lam Te Buddhism and has a major role in the promotion and development of Buddhism in Viet Nam. Every year, the pagoda attracts many monks and believers from across the country who come here to meditate and learn this faith.

Compared to other pagodas in the North, Bo Da is unique for its architecture: while it appears to be a closed complex from the outside, on the inside the pagoda has hundreds of compartments that all open into one another. The pagoda provides visitors with a sacred, secluded refuge from the outside world.
The pagoda's walls and gates are made from packed earth – 0.8m thick and 2-3m high. This is an ancient building technique which distinguishes this pagoda from many others.

The walls, tiles, big water jars, and decorative pots in Bo Da all have a distinct brown soil colour.

The pagoda is also home to many documents, objects and antiques which have great value in terms of culture, history, architecture and fine arts. These include a bronze bell, a stone stele, a horisontal lacquered board engraved with Chinese characters, and a pair of wood panels on which are inscribed parallel sentences.

Special woodblock

Because of the great influence of Lam Te Buddhism, most of the pagoda's famous carved woodblocks bear the Sutras of Zen Buddhism.

In the 18th century, the monks at the pagoda carved Buddhist Sutras on wood to preserve the texts so they could be used for the teaching of Buddhism. Over 2,000 Sutra woodblocks are arranged on eight bookcases.

Large blocks are laid on the tables so that visitors can see them easily. The woodblocks are 44cm long, 22cm wide and 2.5cm thick.

Some of them are larger, measuring 150cm long, 30cm wide and 2.5cm thick. If all the Sutra woodblocks were laid side by side, they would cover an area of 250sq.m.
All the blocks were carved on thi wood (decandrous perssimmom) that is both light and pliable – perfect for carving and moving – and durable. To this day, hardly any have rotted.

Unique towers

"For us, the most interesting part of the pagoda was the field of old tombs along the hill, which are said to belong to the chief monks of the pagoda and some others," said visitor Nguyen Thanh Hoa.

Outside Bo Da Pagoda is an 8,000sq.m Tower Garden encircled by an old brick wall.

"The towers here are made of stone and solid brick, coated with lime, molasses and wood-pulp and arranged layer upon layer," Hoa added.

Most of the towers are 3-5m high and have three or four storeys. Inside 97 towers is the bone-ash of more than 1,000 monks of Lam Te Buddhism. These towers, inscribed with the days of birth and death of the monks, are a valuable source for researchers of Lam Te Buddhism.

With its many tower tombs, Bo Da's Tower Garden is considered the biggest and most beautiful in Viet Nam.

Hoa said he was lucky enough to participate in the Bo Da Festival, which is held annually on February 16-17 of the lunar calendar. The festival attracts thousands of monks and visitors nationwide and involves both prayer and sightseeing.
"Besides going sightseeing, I had the chance to enjoy famous folk music and songs performed by local artists," said Hoa.


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Friday, October 28, 2011

Myanmar to hold grand religious function to mark 2600th anniversary Shwedagon Pagoda

Home Asia Pacific South East Asia Myanmar

YANGON, Myanmar -- Myanmar is making preparation to hold grand religious function to mark the 2600th anniversary of the world's famous Shwedagon Pagoda in Yangon, the official daily New Light of Myanmar reported Monday.

<< Shwedagon pagoda

Renovation work on the Shwedagon pagoda is underway for the event falling on a full-moon day of Myanmar calendar in March 2012 under the supervision of the Yangon region government.

Newly tiling of prayer halls and shrines for convenience of pilgrims, installing of elevators at museum, repository of Buddhist scriptures and archives of the pagoda, building separate staircase to Buddha's Life Museum with landscape gardening, modernized display of life of Buddha at the museum are being done, the report said.

Colorful illumination during the anniversary Buddhist function, offering Lord Buddha with 84,000 pieces of blooming flower and construction of two gateways of grandeur to the pagoda are also underway, the report added.

The Shwedagon Pagoda, enshrining four Buddha hair relics, was built by King Okkalapa and two-brother merchants in B.C. 588, the year when Lord Buddha gained enlightenment.

Over the past 2600 years, the height of pagoda increased from 20 meters to 99 meter through repeated renovations in different dynasties and eras.

Shwedagon Pagoda, a symbol of Myanmar, traditionally remained famous to the world.


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